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Friday, May 20, 2011

Master-class Sea Splashes

Some of my art-friend arranged a graphic exhibition in their gallery in the historic part of Saint-Petersburg. The good thing about it was that they arranged also master-classes with artists who were exposed. Most of my works there were seascapes, so it was the theme of my master-class.

Master-class "Seascapes"

The audience was of all ages - from 12 to 70 y.o. Within 2 hours I had demonstration of 5-6 works about seascapes - just some techniques of watercolor. I had a little problem for I forgot my hairdryer to dry up the painting, but it was solved very fast. I got one when painting the second work, so it went even faster when I got it.
Here I would like to show some cloudy seascape - simply the stages how to do it.

Konstantin Sterkhov. Sea Splashes. 35x45 cm, 2008

1. I partly wash the sky and water with ochre with some red, I keep some white areas untouched.

2. I add some cool tints mixing preussean blue and black, also cobalt blue and black. It`s important to move your brush according to the cloud movement.

  3. Then I add the next darker wash in wet. It can be the same colors mixture but darker. It`s creating some dramatic effect.
4. Then I come up to the water surface. I do it in partly wet paper. I reserve some white sparkling water with white crayon with a few horizontal strokes.
5. When I start the foreground I do first the light washes of cool basis with warm influence.

 6. So the paper is partly wet now. I can start the rocks. They are much darker and they should be painted on moist paper so that they look softer.

7. Now I can unite the foreground - water and rockes together. I am trying to keep the work freshh all the time.

8. I often use some splashing to enreach the texture of the painting.
Here we are - the work is ready.

2 comments:

  1. the two photos of the finished painting are very different; the one in a mat is much lighter. Which is the more accurate photo?
    Thanks for the lesson.

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  2. Actually all of the process shots are too saturated and overcontrasted. The finnished one in frame is more like the original painting. Also the watercolors are fading after drying.

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