I got this interview something half-a-year ago but then it happen that Mary considered that she is not participating my Interview Book project, so I am not sure if I can use her work images she sent me. For the illustration please visit her web page http://marywhyte.com/ She is an extraordinary master!
Mary Whyte
Have you
always been painting with watercolors?
I have painted in watercolor since I was a
teenager. Although I have studied many other techniques and mediums, my
favorite has always been watercolor.
Did you
have someone who influenced you as an artist?
I studied art at the Tyler School of Art in
Philadelphia, Pennsylvania, and for a year in Rome, Italy. Although I had
many painting instructors, there really was not one that was particularly
influential, because I could not find someone who could teach me
watercolor. I ended up having to learn watercolor on my own, by going to
museums and studying the work of artists such as Wyeth, Homer and Sargent.
How did you
come to the major subject of your painting?
I have always loved painting people. Most of the
people I paint live near where I live, and their familiarity makes them
especially appealing to me as models. In my recent museum exhibition
called Working South I painted ordinary working people.
I found it exciting to paint people that I didn't know, and in environments
that were unusual.
Do you
always work with live models?
I believe the best way to paint is always from a live
model. However, working from life is not always possible,
because most people do not have the time or patience to pose for such extended
periods of time. Therefore, I do have to rely on photographs,
working sketches, and painting from memory in order to accomplish my paintings.
How do you work on
composition?
I arrive at my compositions by first doing a series of
small thumbnail pencil sketches. Sometimes I might do as many as twenty
small sketches before I arrive at a composition that I feel has the emotion and
concept I am looking for.
Do you
finish a painting in one session?
I often do preliminary studies from life, which are
done in one session. However, most of my large paintings are
done in my studio over a period of days or weeks.
Would you recommend to
rather leave the painting unfinished than overdone it?
With watercolor there is little room for error.
Every correction takes something away from the painting's freshness, so I plan
my paintings carefully. I would much rather have a painting with an
unfinished look than have a watercolor that is overworked. Once a
painting is overworked I tear it up and start over.
Most of
your portraits tell a story. Do you believe that the painting might have a
value only by it`s painting qualities?
My paintings are often described as being narrative,
meaning that they tell a story. I think every good painting should be
engaging enough that it tells a story, but if an image tells too much,
it becomes an illustration. First and foremost, a painting must appeal to
the senses. Then the painting can tell whatever story the
artist wishes.
What paper, paints and
brushes do you use?
I use Arches 300 pound cold press paper. My
kolinsky brushes are of my own design and are made by Artxpress.com from
Columbia, South Carolina. The pigments I prefer are M. Graham and
Company.
How you can
explain the new blossoming of the realistic Art?
Realistic art seems to be getting more attention these
days. When I went to art school in the 70's there was very little
attention paid to drawing skills or to representational art. Now there
are dozens of traditional art school world wide, offering students a wonderful
opportunity to study more advanced methods.
How we can
keep the watercolor media in spotlight – your suggestion?
It has always been difficult
keeping watercolor in the spotlight, because the medium has always been viewed
as a "lightweight" compared to oils or tempera. We need more
schools treating watercolor as a serious medium, and more galleries willing to
put works on paper on their walls.http://marywhyte.com
Thank you for the links, more interesting.
ReplyDeleteHave a nice week!
It is really interesting to know what the artist thinks about his medium, his creation,his techniques etc.One always learn something from others.It is always wortwhile. Thanks for sharing Mary Whyte's views!
ReplyDeleteI love this kind of interview/ post, it's inspiring to hear another artist's take on things! Thanks for sharing!
ReplyDelete