I believe we have to look back sometimes... There are lots of good things done before us. It is good to know something about those...
Anders Zorn was a Swedish painter and printmaker in etching.
Many artists mention the concept of the "Zorn palette," especially in regard to portraiture. This warm palette, which is often said to include simply a yellow, black, red, and a white—but no blue—may be a very useful tool, but it is a mistake to attribute it to Anders Zorn. A few portraits and other paintings by Zorn seem to show a definite warmth and a lack of tube blues and greens—and Sandström confirms that the painter was proud of saying he mixed all of the hues on a canvas from just a handful of colors—but many Zorn paintings utilize blues. In fact, in Sweden Zorn is celebrated for his depictions of water, which required blue paint. Sandström had difficulty even comprehending the assumption that Zorn worked with the specialized palette associated with him. She reports that 17 tubes of cobalt alone are represented among the 243 tubes of paint left by Zorn in his studio in Mora. Laine, of Stockholm's Nationalmuseum, concurs that the notion of a Zorn palette is a bit of a misnomer. Still, portraits such as Miss Constance Morris show that he was adept at using grays to suggest blues. Many of Zorn's portraits—and his nudes—exhibit a compelling warmth, providing inspiration for today's painters regardless of what the Swedish artist may have actually squeezed onto his palette.
Anders Zorn was a Swedish painter and printmaker in etching.
Anders Zorn. Self-portrait.
Zorn was born in Mora, Dalarna. He studied at Royal Swedish Academy of Arts in Stockholm, Sweden from 1875-1880. He became an international success as one of the most acclaimed portrait painters of his era. His sitters included three American Presidents, one of whom was Grover Cleveland in 1899. After his success in US the artist came back to Sweden.
Anders Zorn. Misses Salomon. 88x101, 1888
Anders Zorn (1860-1920) was probably the foremost swedish painter when it comes to the skills that needs to capture the light and colors. He didn`t limit himself working in many genre like landscape, portraits, figurative painting. He was equally skillful in watercolor, oil and etching. Before the 1890-s he painted more with watercolors, then he payed more attention to oil medium.
Anders Zorn. Pier.
Zorn's Process and Materials
Many artists mention the concept of the "Zorn palette," especially in regard to portraiture. This warm palette, which is often said to include simply a yellow, black, red, and a white—but no blue—may be a very useful tool, but it is a mistake to attribute it to Anders Zorn. A few portraits and other paintings by Zorn seem to show a definite warmth and a lack of tube blues and greens—and Sandström confirms that the painter was proud of saying he mixed all of the hues on a canvas from just a handful of colors—but many Zorn paintings utilize blues. In fact, in Sweden Zorn is celebrated for his depictions of water, which required blue paint. Sandström had difficulty even comprehending the assumption that Zorn worked with the specialized palette associated with him. She reports that 17 tubes of cobalt alone are represented among the 243 tubes of paint left by Zorn in his studio in Mora. Laine, of Stockholm's Nationalmuseum, concurs that the notion of a Zorn palette is a bit of a misnomer. Still, portraits such as Miss Constance Morris show that he was adept at using grays to suggest blues. Many of Zorn's portraits—and his nudes—exhibit a compelling warmth, providing inspiration for today's painters regardless of what the Swedish artist may have actually squeezed onto his palette.
